Sound Design credits include: Beneatha’s Place (Young Vic), School Girls Or, The African Mean Girls Play (Lyric Hammersmith), Disney’s AIDA (Holland), My Neighbour Totoro (RSC at the Barbican Theatre), Sylvia, The 47th (Old Vic), Newsies (Troubadour, Wembley Park Theatre), Kinky Boots (New Wolsey Theatre), Playboy of the West Indies (Birmingham Rep), Legally Blonde (Regent’s Park Theatre), Get Up, Stand Up! The Bob Marley Musical (West End), Running With Lions (Talawa/Lyric Hammersmith), Spring Awakening, And Breathe…. (Almeida Theatre), The Wiz (Hope Mill Theatre), A Place For We (Talawa/Park Theatre), Blue/Orange (Theatre Royal Bath), Gin Craze! (Royal & Derngate), The Living Newspaper, Shoe Lady (Royal Court), Poet In da Corner (Royal Court & UK Tour), Beautiful – The Carole King Musical, Salad Days, American Idiot (UK Tour), Songs For Nobodies (Wilton’s Music Hall/West End), Floyd Collins (Wilton’s Music Hall), The Wild Party (The Other Palace) and Lazarus (King’s Cross).
Associate Sound Design credits include: Mrs Doubtfire (Shaftesbury), Dear Evan Hansen (Noël Coward), TINA (Worldwide), Jersey Boys (London & UK tour), Groundhog Day (Old Vic), Disney’s Aladdin (Prince Edward and Europe), Beautiful: The Carole King Musical (Aldwych), Here Lies Love (National Theatre and Seattle Rep), Saturday Night Fever (UK tour), The Book of Mormon (Prince of Wales) and Spring Awakening (Novello).
Awards: 2023 Olivier Award – Best Sound Design for the RSC’s My Neighbour Totoro, 23rd Annual WhatsOnStage Awards – Winner for Best Sound for My Neighbour Totoro, 2019 & 2021 Black British Theatre Awards – Light & Sound Recognition Award.
Other: Wise Children Trustee, Stage Sight Co-Director and Founder of The Audio Cartel.